The Autocrat of the BreakfastTable Oliver Wendell Holmes 9781490376912 Books
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The Autocrat of the Breakfast-Table (1858) is a collection of essays written by Oliver Wendell Holmes, Sr. The essays take the form of a chiefly one-sided dialogue between the unnamed Author and the other residents of a New England boarding house who are known only by their profession, location at the table or other defining characteristics. The topics discussed range from an essay on the unexpected benefits of old age to the finest place to site a dwelling and comments on the nature of conversation itself. The tone of the book is distinctly Yankee and takes a seriocomic approach to the subject matter.
The Autocrat of the BreakfastTable Oliver Wendell Holmes 9781490376912 Books
This is a delightful little work. Comprising a series of articles published in the Atlantic Monthly in the 1850s, The Autocrat of the Breakfast Table is a rambling but never disjointed first-person narrative of "conversations" between the narrator (the "Autocrat" from the title) and his fellow boarders in a Boston boarding house. I use the term "conversations" because the work is primarily monological, with the other boarders chiming in only infrequently to interrupt the Autocrat's musings and observations.The Autocrat is learned and urbane. He speaks intelligently on a diverse array of topics, including the rules governing the art of conversation (including the "pun-question", which he dismisses as "verbicide"), horse racing, writing, deja vu, the superior ability of the olfactory sense in recalling old memories, old age or "senectitude", laughter, poetry, knowledge, the benefits of rowing, boxing, hats, trees and other topics. Interspersed throughout the work are collections of verse as well.
While not a page-turner, I found myself reasonably engaged throughout the work with two exceptions: (1) there are a couple of passages in French (I have no French), one of which is fairly long and (2) the budding and finally flowering romance at the end of the work I found to be rather dull reading and somewhat superfluous, given the nature of the work.
While reading this book I felt as though I had escaped from my overly-structured, hectic existence - and the collection of (often vulgar) characters that pass uninvited across the stage of my life - to become a part of the much simpler yet richer world of the Autocrat. Time slowed down. Reflection and conversation were the order of the day. I realized with regret that the deliberate reflection that nourishes a flow of ideas, and from which yet new ideas oft emerge, had at some point been demoted in my own life to the status of a luxury.
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The Autocrat of the BreakfastTable Oliver Wendell Holmes 9781490376912 Books Reviews
great book
Good！
This book is a beautiful object in it’s own right. The contents only seal the deal. Holmes is both incredibly witty and brilliant. For aficionados of all things Boston Brahmin this is a great book.
A very entertaining read. I was prepared for this book to be somewhat dry and dted, but I was pleasantly surprised to find that the insights were very entertaining and original, not unlike Dickens.
Two oral practices flourished in antebellum America the lecture (or sermon) and the conversation. Lectures, such as Emerson's "The American Scholar" and sermons, such as the abolitionist sermons of Henry Ward Beecher, are well-known examples of this era. But it was also known as the Golden Age of Conversation, and its greatest practitioner was generally agreed to be Oliver Wendell Holmes, Senior.
Holmes was considered an important American writer until the 1920s when he was excised from the American canon by the modernists. They depicted him as willfully provincial, and elitist. What those critics failed to understand was that the Autocrat is also a comic pose, and that Holmes is making sport of everyone, including elitists. Holmes' democratic view of conversation as an open, free-wheeling discourse where anyone could join the Autocrat at his table, as long as they enlivened the conversation, ran counter to the views of his more elitist friends in Boston's Saturday Club in Boston. Holmes loved to talk, and his love for talk made him a democrat, or perhaps a true republican.
His Autocrat is a many sided character stern and foolish, admonitory and celebratory, a polymorph who will don any temporaty mask necessary to keep the conversation alive. Holmes' playful metaphorical imagination is also a revelation. His gift for translating complex ideas into homey metaphors, aphorisms, and similes is nothing short of miraculous. In the words of another seriously comic American whom I'm sure Holmes would have delighted in, the Autocrat "floats like a butterfly, stings like a bee."
The Autocrat of the Breakfast table begins "in media res," in the middle of a conversation, with the Autocrat attempting to set the rules for conversation at his table. They are generous rules, but even they are open to sabotage by his tablemates at the boarding house. He begins by banning "facts" from his table as impediments to conversation, (a condition that should prevail on today's too numerous current event talking head shows. But I, like the Autocrat, digress).
Here's how the Autocrat starts "I was just going to say, when I was interrupted, that one of the many ways of classifying minds is under the head of arithmetical and algebraical intellects. All economical and practical wisdom is an extension of the following arithmetical formula 2 + 2 = 4. Every philosophical proposition has the more general character of the expression a + b = c. We are mere operatives, empirics, and egoists, until we learn to think in letters instead of figures." "They all stared. There is a divinity student lately come among us to whom I commonly address remarks like this. "
In other words, as Gibian says in his marvelous OLIVER WENDELL HOLMES AND THE CULTURE OF CONVERSATION [The Autocrat] only asks us to study his beliefs the way a pragmatist would study the doctrines of any religion "I don't want you to believe anything I say; I only want you to to try to see what makes me believe it." How refreshing in this age of factoids and statisticoids recited with rancor and ideological certitude, to hear the Autocrat and his tablemates at the boarding house attempting to fashion a democracy through and by their conversation. Nowadays all we have are the unironic Autocrats, control freaks like John McLaughlin, Ted Koppel, Rush Limbaugh, and that guy on FOX whose name I have, pleasantly, forgotten.
Listening to the Autocrat you can almost hear American singing. It's not exactly Walt Whitman's America, but it's still America in the hopeful, experimental antebellum era, and thus a good antidote to the cold technocratic chatter and lukewarm public relations cant we are showered with in this hypermediated century.
I had forgotten what wonderful essays this gentleman produced. Astoundingly original and thought-provoking. Just fabulous. Every page.
Very interesting views of people and conditions
in the 1800's . I especially like the essay on
the "Advantages of Aging ".
I am now interested in reading all of the
"Breakfast Table Series"
This is a delightful little work. Comprising a series of articles published in the Atlantic Monthly in the 1850s, The Autocrat of the Breakfast Table is a rambling but never disjointed first-person narrative of "conversations" between the narrator (the "Autocrat" from the title) and his fellow boarders in a Boston boarding house. I use the term "conversations" because the work is primarily monological, with the other boarders chiming in only infrequently to interrupt the Autocrat's musings and observations.
The Autocrat is learned and urbane. He speaks intelligently on a diverse array of topics, including the rules governing the art of conversation (including the "pun-question", which he dismisses as "verbicide"), horse racing, writing, deja vu, the superior ability of the olfactory sense in recalling old memories, old age or "senectitude", laughter, poetry, knowledge, the benefits of rowing, boxing, hats, trees and other topics. Interspersed throughout the work are collections of verse as well.
While not a page-turner, I found myself reasonably engaged throughout the work with two exceptions (1) there are a couple of passages in French (I have no French), one of which is fairly long and (2) the budding and finally flowering romance at the end of the work I found to be rather dull reading and somewhat superfluous, given the nature of the work.
While reading this book I felt as though I had escaped from my overly-structured, hectic existence - and the collection of (often vulgar) characters that pass uninvited across the stage of my life - to become a part of the much simpler yet richer world of the Autocrat. Time slowed down. Reflection and conversation were the order of the day. I realized with regret that the deliberate reflection that nourishes a flow of ideas, and from which yet new ideas oft emerge, had at some point been demoted in my own life to the status of a luxury.
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